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The Hubble Wars Astrophysics Meets Astropolitics in the Two-Billion-Dollar Struggle over the Hubble Space Telescope Harvard Univ Pr? Eric J. Chaisson? HarvardUnivPr? EricJ.Chaisson? ジャンル別? Subjects-Nonfiction-Politics-U.S.? Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment? Subjects-Outdoors&Nature-Ecology-StarGazing? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-Experiments,Instruments&Measurement-Telescopes? Subjects-Science-General Subjects-Science-Nature&Ecology-StarGazing? Subjects-Science-Physics-Astrophysics? Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Astronomy? John Fryer (East Asian Monograph) Harvard University Press? Adrian Arthur Bennett? HarvardUniversityPress? AdrianArthurBennett? ジャンル別? Subjects-Science-Technology-General&Reference Imagined Worlds (Jerusalem-Harvard Lectures) Harvard Univ Pr? Freeman Dyson? HarvardUnivPr? FreemanDyson? ジャンル別? Subjects-Literature&Fiction-Essays-General? Subjects-Literature&Fiction-General? Subjects-Nonfiction-Philosophy-Ethics&Morality? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference Science at the Bar Law, Science, and Technology in America (Twentieth Century Fund Book) Harvard Univ Pr? Sheila Jasanoff? HarvardUnivPr? SheilaJasanoff? ジャンル別? Substores-UnknownASINs-60? Subjects-Law-Business-Labor&Employment? Subjects-Law-One-L-CivilProcedure? Subjects-Law-EnglishLaw-SocialSecurity&Welfare? Subjects-Law-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Nonfiction-Government-LegalSystem? Subjects-Nonfiction-Law-Business-Labor&Employment? Subjects-Nonfiction-Law-One-L-CivilProcedure? Subjects-Nonfiction-Law-EnglishLaw-SocialSecurity&Welfare? Subjects-Nonfiction-Law-General? Subjects-Professional&Technical-Law-General? Subjects-Professional&Technical-Law-One-L-CivilProcedure? Subjects-Science-General Subjects-Science-Technology-General&Reference The Sources of Economic Growth Harvard Univ Pr? Richard R. Nelson? HarvardUnivPr? RichardR.Nelson? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Biographies&Primers-PopularEconomics? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicConditions? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-General? Subjects-Business&Investing-International-EconomicConditions? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicConditions? 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Anne A. Panares? PrenticeHallCollegeDiv? AnneA.Panares? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Nonfiction-Education-Reference-Words&Language-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Words&Language-General? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? The Technology of Drafting With an Introduction to Computer-Aided Drawing Merrill Pub Co? Edward A. Maruggi? MerrillPubCo? EdwardA.Maruggi? ジャンル別? Substores-UnknownASINs-15? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-General Subjects-Science-Technology-General&Reference Applied Pascal for Technology Prentice Hall College Div? Tom Adamson? PrenticeHallCollegeDiv? TomAdamson? ジャンル別? Subjects-Computers&Internet-Programming-Languages&Tools-Pascal? Subjects-Engineering-ComputerTechnology-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-General? Subjects-Science-Technology-General&Reference Structured BASIC Applied to Technology Longman Higher Education? Thomas A. Adamson? LongmanHigherEducation? ThomasA.Adamson? ジャンル別? Subjects-Science-Technology-General&Reference Structured C for Technology Charles Merrill? Tom Adamson? CharlesMerrill? TomAdamson? ジャンル別? Subjects-Science-Technology-General&Reference Basic Technical Drawing Merrill Pub Co? Phillip Sell? MerrillPubCo? PhillipSell? ジャンル別? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? 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Basic Technical Writing Macmillan Coll Div? Herman M. Weisman? MacmillanCollDiv? HermanM.Weisman? ジャンル別? Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Reference-Education-General? Subjects-Reference-TestPrepCentral-General? Subjects-Reference-Writing-Technical? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnicalThinking&Writing? Introductory Digital Electronics Prentice Hall College Div? Nigel P. Cook? PrenticeHallCollegeDiv? NigelP.Cook? ジャンル別? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? 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Subjects-Science-Technology-General&Reference Human Factor Revolutionizing the Way We Live With Technology Random House Inc (P)? Kim J. Vicente? RandomHouseInc(P)? KimJ.Vicente? ジャンル別? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Technology-General&Reference Thick Film Technology and Chip Joining Gordon & Breach Science Pub? Lewis F. Miller? Gordon&BreachSciencePub? LewisF.Miller? ジャンル別? Substores-UnknownASINs-15? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Radar Techniques for Detection Tracking and Navigation (Agardographs Ser No. 100) Gordon & Breach Science Pub? AGARD-NATO? Gordon&BreachSciencePub? AGARD-NATO? ジャンル別? Substores-UnknownASINs-15? Subjects-Science-General Subjects-Science-Technology-General&Reference Quantitative Decision Aiding Techniques for Research and Development Management Gordon & Breach Science Pub? Marvin J. Cetron? Harold Davidson? Albert H. Rubenstein? Military Operations Research Society Working Group on Research managem? Gordon&BreachSciencePub? MarvinJ.Cetron? HaroldDavidson? AlbertH.Rubenstein? MilitaryOperationsResearchSocietyWorkingGrouponResearchmanagem? ジャンル別? Substores-UnknownASINs-15? Subjects-Business&Investing-Management&Leadership? Subjects-Professional&Technical-BusinessManagement-Management&Leadership? Subjects-Science-General Subjects-Science-Technology-General&Reference Creativity As an Exact Science The Theory of the Solution of Inventive Problems (Pocket Mathematical Library,) Gordon & Breach Science Pub? Genrikh S. Altshuller? Gordon&BreachSciencePub? GenrikhS.Altshuller? ジャンル別? Substores-UnknownASINs-62? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-Cybernetics? Technical Petroleum Dictionary of Well-Logging Drilling and Production Terms Gordon & Breach Science Pub? S. Ketchian? Gordon&BreachSciencePub? S.Ketchian? ジャンル別? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-Technology-General&Reference Economics and Technical Change Kelley,U.S.A.? Edward Maurice Hugh-Jones? Kelley,U.S.A.? EdwardMauriceHugh-Jones? ジャンル別? Subjects-Science-Technology-General&Reference The Evolution of Useful Things Alfred a Knopf? Henry Petroski? AlfredaKnopf? HenryPetroski? ジャンル別? Subjects-Engineering-Patents&Inventions? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Tomorrow Now Envisioning the Next Fifty Years Random House Inc (T)? Bruce Sterling? RandomHouseInc(T)? BruceSterling? ジャンル別? Subjects-Nonfiction-SocialSciences-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-Futurology? Subjects-Science-Technology-General&Reference Rescuing Prometheus Vintage Books? Thomas Parke Hughes? VintageBooks? ThomasParkeHughes? ジャンル別? Subjects-Business&Investing-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Evolution of Useful Things Vintage Books? Henry Petroski? VintageBooks? HenryPetroski? ジャンル別? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Engineering-General? Subjects-History? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-General Subjects-Science-Education-Experiments&Projects? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Engineers of Dreams Great Bridge Builders and the Spanning of America Vintage Books? Henry Petroski? Edward Kastenmeier? VintageBooks? HenryPetroski? EdwardKastenmeier? ジャンル別? Subjects-Biographies&Memoirs-Arts&Literature-Artists,Architects&Photographers? Subjects-Engineering-Civil-General? Subjects-History? Subjects-Professional&Technical-Engineering-Civil-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Picture History of Great Inventors Alfred a Knopf? Gillian Clements? AlfredaKnopf? GillianClements? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-History&HistoricalFiction-Biographical? Subjects-Children sBooks-People&Places-Biographies-Science&Technology? Subjects-Children sBooks-Science,Nature&HowItWorks-Fiction? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Future (Eyewitness Books) Alfred a Knopf? Michael Tambini? AlfredaKnopf? MichaelTambini? ジャンル別? Subjects-Children sBooks-Ages9-12-General? Subjects-Children sBooks-Series-Nonfiction-EyewitnessBooks? Subjects-Science-Technology-General&Reference Comprehensive World Atlas Longmeadow Pr? Rand McNally and Company? LongmeadowPr? RandMcNallyandCompany? ジャンル別? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Veterinary Ophthalmology Lippincott Williams & Wilkins? Kirk N. Gelatt? LippincottWilliams&Wilkins? KirkN.Gelatt? ジャンル別? Subjects-Medicine-VeterinaryMedicine-General? Subjects-Medicine-VeterinaryMedicine-Ophthalmology? Subjects-Medicine-VeterinaryMedicine-Surgery? Subjects-Professional&Technical-Medical-VeterinaryMedicine-General? Subjects-Professional&Technical-Medical-VeterinaryMedicine-Ophthalmology? Subjects-Professional&Technical-Medical-VeterinaryMedicine-Surgery? Subjects-Science-Technology-General&Reference Subjects-Science-AgriculturalSciences-AnimalHusbandry? Subjects-Science-Medicine-VeterinaryMedicine-General? Subjects-Science-Medicine-VeterinaryMedicine-Ophthalmology? Subjects-Science-Medicine-VeterinaryMedicine-Surgery? Nutrients in Food (Books) Lippincott Williams & Wilkins? Elizabeth S. Hands? LippincottWilliams&Wilkins? ElizabethS.Hands? ジャンル別? Subjects-Health,Mind&Body-Nutrition-General? Subjects-Medicine-Alternative&Holistic-DietTherapy? Subjects-Medicine-SpecialTopics-Nutrition? Subjects-Professional&Technical-Medical-BasicSciences-Nutrition? Subjects-Professional&Technical-Medical-AlternativeMedicine-DietTherapy? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-FoodSciences? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Alternative&Holistic-DietTherapy? Subjects-Science-Medicine-SpecialTopics-Nutrition? A Handbook for Inventors How to Protect, Patent, Finance, Develop, Manufacture, and Market Your Ideas Scribner? Calvin MacCracken? Scribner? CalvinMacCracken? ジャンル別? Subjects-Business&Investing-General? Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-Education-Reference-General? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Professional&Technical-Education-Reference? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Tomorrow's Technology Experimenting With the Science of the Future Atheneum? Irwin Math? Hal Keith? Atheneum? IrwinMath? HalKeith? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks-General? Subjects-Science-Technology-General&Reference Subjects-Teens-Science&Technology-General? The Twilight of Sovereignty How the Information Revolution Is Transforming Our World Scribner? Walter B. Wriston? Scribner? WalterB.Wriston? ジャンル別? Subjects-Business&Investing-Economics-Theory? Subjects-Business&Investing-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-SocialSciences-Sociology-SocialTheory? Subjects-Nonfiction-SocialSciences-Communication-Technology&Society? Subjects-Nonfiction-SocialSciences-PoliticalScience-General? Subjects-Nonfiction-Government-Constitutions? Subjects-Nonfiction-Economics-Theory? Subjects-Professional&Technical-Accounting&Finance-Economics-Theory? Subjects-Science-Technology-General&Reference Telecosm How Infinite Bandwidth Will Revolutionize Our World Free Pr? George Gilder? FreePr? GeorgeGilder? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Investing-General? Subjects-Business&Investing-Investing-Introduction? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Carrot Tops Junk in the Trunk Some Assembly Required (Carot Top) Fireside? Carrot Top? Scott Thompson? Fireside? CarrotTop? ScottThompson? ジャンル別? Subjects-Children sBooks-Literature? Subjects-Engineering-Patents&Inventions? Subjects-Entertainment-Humor-General? Subjects-Entertainment-Humor-Jokes&Riddles? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-Technology-General&Reference Time Detectives How Scientists Use Modern Technology to Unravel the Secrets of the Past Touchstone Books? Brian M. Fagan? TouchstoneBooks? BrianM.Fagan? ジャンル別? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Archaeology-General? The Technology Machine How Manufacturing Will Work in the Year 2020 Free Pr? Patricia E. Moody? Richard E. Morley? FreePr? PatriciaE.Moody? RichardE.Morley? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Strategy&Competition? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Business&Investing-Management&Leadership-OperationsResearch? Subjects-Business&Investing-Management&Leadership-Systems&Planning? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-OperationsResearch? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Systems&Planning? Subjects-Science-Technology-General&Reference Visions of Technology A Century of Vital Debate About Machines, Systems and the Human World (The Sloan Technology Series) Simon & Schuster? Richard Rhodes? Simon&Schuster? RichardRhodes? ジャンル別? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Real Science Behind the X-Files Microbes, Meteorites, and Mutants Touchstone Books? Anne Elizabeth Simon? TouchstoneBooks? AnneElizabethSimon? ジャンル別? Subjects-Entertainment-Television-General? Subjects-Entertainment-Television-Shows-1990 sthrough2004? Subjects-Entertainment-PerformingArts? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Astronomy-Comets,Meteors&Asteroids? The Knowledge Web From Electronic Agents to Stonehenge and Back--And Other Journeys Through Knowledge Simon & Schuster? James Burke? Simon&Schuster? JamesBurke? ジャンル別? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-Philosophy-Science? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書
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【Tags Hoehoe-P tN tT S】 Original Music title サクラノ前夜 English music title Night Before the Sakura / Night Before Cherry Blossoms Romaji music title Sakura no Zenya Music Lyrics written, Voice edited by ほえほえP (Hoehoe-P) Music arranged by ほえほえP (Hoehoe-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson): Dad, mom, thanks, And I m sorry A house like this, I can t stand one more second All my body s scars Hidden by a coat, Through the town at midnight, Alone, I broke out running Like you surely have all along, You still remember, don t you? For when the time came we separate, The promise we made "When we become adults, I ll come to save you, So the night before the sakura blooms, I ll be waiting there" The town seeming to have no one in it, It seemed only I had any place to go Even though such a tiny promise, To this day, I clung on "The fact that tomorrow will come is, alone, scary," I cried Only "I m here," with that smiling face, could bring my own All that s hurt me, this town, that house, everything, everything Tonight says farewell to it all... With you, together... In the forest at the edge of the town, That was the promised place We d often played together there, Underneath "God s tree" I ran into a tree branch, And cut open my cheek But compared to what my body s been through, Such things don t hurt All alone, with trembling legs, The dark forest mercilessly bares its fangs Even if I turned back here, Would I... have anything left? Frightened, running away, it s been locked away, true laughter Just once more, I want to have it back, back in my hands So soon, I ll make it; so soon, it ll be over, everything, everything Under the moonlight, the great, Promised tree... came into sight The stars shone... The moon was beautiful... The sakura was blooming... And you weren t there... I ve had enough; I knew from the start, I couldn t go anywhere Becoming an adult... So this is what it s like, huh? All that s hurt me, this town, that house, seems, somehow, A little warmer... It s all right, you can keep going on, Be happy in whatever way, With the same smile I remember, And I ll keep on living... The moment the door opened, A thick sound echoed My dad who would beat me, And my mom who would scream "When you become an adult, We ll come to help you, so..." The smile I so loved Took my hands Romaji lyrics (transliterated by vgboy / vgperson): Papa mama arigatou Soshite gomennasai Mou konna ie ni wa Ichi-byou mo itakunai Karada-juu no kizuato Kooto de kakushite Mayonaka no machi o Hitori hashidashita Anata wa mou kitto Oboeteinai kana Hanarebanare ni naru toki Kawashita yakusoku "Otona ni natta toki tasuke ni kuru kara Sakura no saku mae no ban ano basho de matteru" Daremo inai machi wa maru de Jibun dake ga oite ikareta you da Konna chippoke na yakusoku nanka ni Kyou made sugatte kita "Ashita ga yatte kuru sore ga tada kowai no" to naiteita "Boku ga iru yo" to hohoemu kao ga ukabu Watashi o kizutsuketa kono machi mo ano ie mo nanimokamo Konya wakare o tsugeru no Anata to futari de Machi hazure no mori no naka Yakusoku no basho Futari de yoku asonda "Kamisama no ki" no shita Ki no eda ni butsukatte Hoho ga saketa yo Demo kono karada ni kuraberata Konna mono itakunai Hitoribocchi furueru ashi Kurai mori ga yousha naku kiba o muku Tatoe koko de hikikaeshite mo Watashi ni nani ga nokoru no? Kowakute nigedashite tojikometa hontou no waraigoe Mou ichido dake torimodosu no kono te ni Mou sugu de tadoritsuku mou sugu de owarunda nanimokamo Tsukiakari no shita ooki na Yakusoku no ki ga mieta Hoshi ga kagayaite Tsuki ga kirei datta Sakura ga saiteita Anata wa inakatta Mou ii yo saisho kara wakatteta doko ni mo ikenai to Otona ni naru to wa kouiu koto nan deshou nee? Watashi o kizutsuketa kono machi ga ano ie ga nandaka Sukoshi atatakai Daijoubu anata wa sono mama de Douka shiawase de ite Kioku no naka no egao de Watashi wa ikiteikeru Doa o aketa toki Nibui oto ga hibiita Nagurareru papa to Himei o ageru mama "Otona ni natta toki Tasuke ni kuru kara" Daisuki na egao ga Watashi no te o totta [Hoehoe-P, HoehoeP]
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Market Scenario In its research report, Market Research Future (MRFR), asserts that the AI in Construction Market Research 2020 is slated to grow exponentially over the review period, securing a considerable market valuation of USD 2.01 billion, and a healthy 35% CAGR over the review period. Novel coronavirus has actually AI in Construction Market Research to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The AI in Construction Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. In a nutshell, COVID-19 impact on managed services has been fruitful, with the market growth enhanced than before. Given the prevalent lockdown situation, managed services vendors are now investing heavily in remote-centric worker solutions, which can make the market highly resilient in the coming years, even as the world is currently rushing to achieve a COVID-19 breakthrough. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6035 Segmentation The AI in construction market is differentiated by component, technology, organization size, deployment, stage, and application. On the basis of stage, the market is segmented into construction stage, pre-construction, and post-construction. Based on the component, the AI in construction market is bifurcated as solutions and services. The solution segment is categorized as demand forecasting, virtual assistant, revenue estimation, design planning, predictive maintenance, and others. The service sub-segment comprised implementation services, training consulting, and other support services. In terms of technology, the market is segregated into machine learning deep learning, neural networks, and natural learning programming (NLP). Based on the deployment, the market is divided into on-cloud and on-premises. Based on the organization size, the market is bifurcated into large enterprises, and small medium enterprise (SMEs). On the basis of application, the market is categorized as, project management, schedule management, risk management, equipment management, building information management, and supply chain management. Competitive Outlook The major market players operating in the global market as identified by MRFR are Oracle Corporation (U.S), IBM Corporation (U.S.), SAP SE (Germany), Alice Technologies.(U.S.), Microsoft Corporation (U.S.), Autodesk (U.S.), Aurora Computer Services(U.K), eSUB (U.S.), Smartvid.io(U.S.),and Building System Planning (U.S.). Some other market players who are involved in AI construction market are Jaroop, Deepomatic, Lili.Ai, Predii, Assignar, Coins Global, Beyond Limits, Doxel Askporter, Bentley Systems, Plangrid, and Renoworks Software Regional Analysis The geographical overview of the global market has been analyzed in four major regions, comprising the Asia Pacific, North America, Europe, and the rest of the world. On the building industry, North America is believed to have substantial growth in the AI, with the U.S. and Canada being the sector leading countries. Regional domination is due to increased investment by companies such as IBM Corporation, Oracle Corporation and many others, which invest directly in the advancement of technologies such as neural networks and machine learning in research and development. However, Asia Pacific is also expected to experience a strong market growth rate. The leading countries in this field are China, Japan, South Korea and India. The market growth is due to rise in demand by the region to improve smart city projects which require better facilities that boost the real estate sector. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/ai-in-construction-market-6035 List of Tables Table1 Global AI In Construction Market By Region, 2020-2027 Table2 North America AI In Construction Market By Country, 2020-2027 Table3 Europe AI In Construction Market By Country, 2020-2027 Continued… List of Figures FIGURE 1 Global AI In Construction Software Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis of Global AI In Construction Software Market Continued… Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/touhoukashi/pages/1080.html
【登録タグ .JP G Free ichigo む 岸田教団&The明星ロケッツ 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4190.html
【登録タグ FELT N Rebirth Story Ⅲ Vivienne 曲 死霊の夜桜】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/oper/pages/980.html
第3幕 第1場 No.14 合唱 (全ての人の合唱) 喜べ、喜べ 私たちの仲間はすぐに来ます 大きな名誉! 足を健康に あなたを幸せに迎えるために 彼らは勝者として戻る ああ、喜び、ああ、幸せ! No.15 クープレ (アルゼナ) 1. 女の子がイヤなのは あれこれ気を揉む事 心が平和である限り あれこれ考えないでいいわ そして、愛する人を見るのが 私達は好きです 居心地良く、ひそやかに 世間の喜びがあるわ! それは羨ましさになり、憎しみにもなります あれこれ噂して そう、あれこれと そして、倍以上になって そう、あれこれと 羨ましさや憎しみを語るのです! (3人全員) そう、あれこれと そして、倍以上になって そう、あれこれと 羨ましさや憎しみを語るのです! (アルゼナ) 2. 私は思うわ、もし私を好きなら 私は彼にあれこれ伝えます 世間の中で私を疑わないで そして、あれこれに関してじゃなく そして、私達は静かな夜に キスをした 私の心の中で目覚めたのは 愛でした! そして、腰かけた私が 彼に送ったのは ため息でした そう、あれこれと 投げキッス そして、2倍以上のあれこれがあって そう、あれこれが 私は置き去りにされました! (3人全員) そう、あれこれと そして、2倍以上のあれこれがあって そう、あれこれが 私は置き去りにされました! (アルゼナ) (繰り返し、連詩) 時々、私は結婚に関して聞いたわ あれこれ教えて下さい 男は人生の為に手を差し出します そして、あれこれと言います 好奇心は私を苦しめた 私は呼ぶわ 女友達を、彼女は私に説明するわ それが何であるかを 彼女が意味するのは、楽しいことがある事 彼女は私達にあれこれもたらして あれこれと 揺り籠 そして、2倍以上のあれこれが あれこれを 私達の結婚の楽しさにもたらして! (3人全員) あれこれと そして、2倍以上のあれこれが あれこれを 私達の結婚の楽しさにもたらして! 第6場 No.16 行進―合唱付きクープレ (ジュパン) 1. タホの海岸から 強力な力で ワシ等は敵をモレスまで撤退させた ワシ等は帰還した 多くの名声を得て 名のあるものは、全て持ち帰りに値した! 戦争は恐ろしい 終わらせた神に感謝だ ワシは健康で、家に帰る道を見つけた ワシを怖がらせる一撃も、 銃弾も、刀傷も無く さあ急いで 友人と子供よ、こんにちは 友と子供よ、こんにちは 皆、再び健康でいるよ、そうさ! (合唱) 友人と子供よ、こんにちは 友と子供よ、こんにちは 皆、再び健康でいるよ! (ジュパン) 2. 気を付けて! 物凄い音がした! スペイン兵がワシに叫んだ! お前を撃つ お前を! ワシは出来る限り、身を反らした! 奴の銃は 空だった ワシはそれを奪った そこで そう 奴をバラバラにしてやった! おっと カオッツは 納屋に横たわっていた ワシは探した すぐに 奴の持っていた小銭をな 仲間よ 全ては損壊してしまった 彼の破片に至るまで探した ワシは何回も探した ワシは敵かどうかも気にしなかった 敵の英雄よコンニチワ 時計と金よコンニチワ お前が倒れても、何て事はない!ヤー (合唱) 敵の英雄よコンニチワ、 etc。 (ジュパン) 3. 一度 <何てこった!> スペイン女がワシを誘惑した! ホホー、 何もない ワシは言った「3歩離れて!」 だが 彼女には 恋人がいた それで ワシは 再び才能を見せた! 素早く ワシは 彼女に慇懃に接した 彼女は 白い手を ワシに預けた ワシが取ろうとしていた ダイヤを付けてな 指は指輪で一杯だ 真実の愛の証にそれを身に着けている 何処でもワシは賢く振る舞った、 ワシは敵も気にしなかった! そして、ワシは ? 鉄の様に固かった ? どの兵士にも勝った! そして灼熱の中で育った 女性たちにも だが、ワシは非常に慎重だったのだ! 戦争は恐ろしい 終わらせた神に感謝 等々 No.17-入場行進 (合唱) フラー、我々は 遠く 離れた国で戦って来た 火薬の 煙を 本当に体験したんだ! 止まれ 同志よ 心と手で打ち負かせ 先に立って 男達が 武器を装備すれば 敵が 現れる所 男は敵を捉える! 新鮮さと陽気さは 我々の血に流れている 戦いのある所で 我々を見るだろう そのモットーは、迅速で適切! 戦場で大砲が 鳴り響く時にも 我々は決して臆さない もしそうでなかったら それは災難だ! 軍隊で!フラー! 面白いこともあるさ 予想外に 戦争中でもあるもんだ 何人もの敵 誰がうまくやるのか ああ、どれほど簡単に征服できるのか! 難しくはない 男が弱くても その戦士の心は大きくなる そして、勇敢な兵士として それをつかむ! ほっそりした愛する人 一人でいて下さい でも心配しないで 私は実現します 神が望んでいるように 義務としての兵隊として 真実を守り 過ぎ去った 戦争での幸運に微笑み 私はその瞬間へ向かう 元の場所へ! それから私は良く愛し それは私達の血の中にあります キスによって、私の真実よ! 私はそこに居る 私は愛を好み もっとキスを これは軍のいい習慣です! (それで私は良く愛し これは私達の血に流れています) No.18―フィナーレ3 (ザッフィ―) (幕下で) その手を取り ジプシーを信じなさい あなたの行く所 あなたの友として私は行きます トリアン、トリアンダヴァー (バリンカイ) 全て巧くいった 敵を征服し 一人の女性を手に入れた だから、全ての人の胸に歌おう 確かに、私は 何でも昔より巧く出来る 一旦なされてしまえば、 何であれもう難しくはない! (全ての仲間) 確かに、私は 何でも昔より巧く出来る 一旦なされてしまえば、 何であれもう難しくはない! 万歳、最高、フラー! ジングラー!!! (仲間と人々) 万歳!!! DRITTER AKT ERSTE SZENE No. 14 - Chor ALLGEMEINER CHOR Freuet Euch - freuet Euch, Uns re Leute kommen gleich An Ehren reich! Seid munter auf den Füssen, Sie fröhlich zu begrüssen, Als Sieger kehren sie zurück - O Freude - o Glück! Nr. 15 - Couplet ARSENA 1. Ein Mädchen hat es gar nicht gut, Bedenk ich dies und das - So lang das Herz im Frieden ruht - Weiss es nicht dies und das. Und seh n wir einen lieben Mann Der uns gefällt - Nur heimlich und verstohlen an, Da schmäht die Welt! Es kommt der Neid - es kommt der Hass Und munkelt dies und das - Ja, dies und das und noch etwas Und zweimal mehr als dies und das, Ja, dies und das und noch etwas Erzählt der Neid und Hass! ALLE DREI Ja, dies und das und noch etwas Und zweimal mehr als dies und das, Ja, dies und das und noch etwas Erzählt der Neid und Hass ARSENA 2. Ei - dacht ich, wenn mir wer gefällt, Sag ich ihm dies und das - Und scheer mich gar nicht um die Welt Und nicht um dies und das - Und seit wir uns in stiller Nacht Gar traut geküsst, Da ist s im Herzen mir erwacht Was Liebe ist! - Und als ich dann verlassen sass, Sandt ich ihm dies und das Seufzer. Ja, dies und das und noch etwas Kusshändchen. Und zweimal mehr als dies und das, Ja, dies und das und noch etwas Als ich verlassen sass! ALLE DREI Ja, dies und das und noch etwas Und zweimal mehr als dies und das, Ja dies und das und noch etwas Als ich verlassen sass! ARSENA Repetions-Strophe Oft hört ich schon vom Ehestand Erzählen dies und das, Man reicht für s Leben sich die Hand Und sagt sich dies und das - Die Neugier quälte mich zu sehr, Ich rief herbei Die Freundin, dass sie mir erklärt Was daran sei ... Sie meint - die Eh hat manchen Spass, Sie bringt uns dies und das, Ja dies und das und noch etwas Kinderwiegen Und zweimal mehr als dies und das, Ja, dies und das und noch etwas Bringt uns der Ehe Spass! ALLE DREI Ja, dies und das und noch etwas Und zweimal mehr als dies und das, Ja, dies und das und noch etwas Bringt uns der Ehe Spass! SECHSTE SZENE Nr. 16 - Marsch-Couplet mit Chor ZSUPAN 1. Von des Tajo Strand, Wo mit starker Hand Wir die Feinde Mores gelehrt - Sapperment! Sind wir heimgekehrt, Reich mit Ruhm beschwert, Nahmen mit, was des Mitnehmens werth! So ein Krieg ist ein Graus Gott sei Dank, dass er aus, Dass gesund ich den Heimweg noch fand, Nicht ein Hieb schreckte mich, Nicht ein Schuss, nicht ein Stich, Nur mein Teint ist ein bisserl verbrannt, Nun geschwind - grüss Dich Gott, Freund und Kind, - grüss Dich Gott. Alle find - ich wieder schön beinand ja - ja! CHOR Nun geschwind - grüss Dich Gott, Freund und Kind - grüss Dich Gott Alles findet er wieder schön beinand! - ZSUPAN 2. Gib Acht, Es kracht!´ Schreit mich ein Spanier an! Schiess Du Nur zu! Ich bück mich, wie ich kann! Sein G wehr Ist leer - Ich reiss ihm s aus der Hand, Und hau Genau Ihn mitten auseinand! Pardautz Der Kautz, Da liegt er mäuserlstad Ich find Geschwind Das Kleingeld, das er hat - Oho Herr Kamerad, Um Alles wär s a Schad -´ Und such ihn durch bis auf die letzte Naht. So macht ich s wohl ein Dutzendmal; Beim Feind war mir das ganz egal. Fremder Held - grüss Dich Gott Uhr und Geld - grüss Dich Gott, Wenn man fällt, - ist das Alles leerer Tand ja! ja - - CHOR Fremder Held - grüss Dich Gott etc. etc. etc. ZSUPAN 3. Einmal, - Scandal! - Lockt mich ein spanisch Weib Holla - Nix da,´ Sag ich - drei Schritt vom Leib!´ Doch zirpt Und wirbt Um zarte Liebe sie, Da zeig Ich gleich Mich wieder als Genie! Im Nu Per Du´ War ich mit ihr galant. Sie gibt Verliebt Mir ihre weisse Hand. - Darauf steckt ein Diamant, Den sanft ich ihr entwand, Flunkert mit dem Ring am Finger. Hier trag ich ihn als theures Liebespfand! So machte schlau ich s überall, Beim Feind war mir das ganz egal! Und ein jedesmal Blieb ich hart wie Stahl, Kein Soldat, der gleich es mir thut - sapperment Denn voll heisser Gluth, War die Weiberbrut, Aber ich war sehr auf der Hut! So ein Krieg ist ein Graus, Gott sei Dank, dass er aus! etc. etc. Nr. 17 - Einzugsmarsch CHOR Hurrah - die Schlacht Mitgemacht Haben wir im fernen Land, - Pulverdampf Ist im Kampf Uns gar nicht unbekannt! Halt Dich g rad Kamerad, Hau zu mit Herz und Hand - Frisch voran Mann für Mann, Wer die Waffen tragen kann, Wo der Feind Nur erscheint, Da packt man fest ihn an! Frisch und wohlgemuth, Das liegt in unser m Blut, Wo s losgeht, hei - Sind wir dabei Die Losung Kurz und gut! Wenn der Donner kracht Um uns her in der Schlacht, Wird uns das Herz nicht schwer - Es wär auch ein Malheur, Wenn s ander s wär Beim Militär! - Hurrah! Lustig oft Unverhofft Geht es auch im Kriege zu, - Manchen Feind, Der gut es meint, Ach, wie leicht eroberst Du! Sie nicht hart, Wenn man zart Deinem Kriegerherzen naht, Und als muthiger Soldat Greif zu! - Liebchen fein, Bleibst allein, Aber kränk Dich darum nicht Ich erfüll , Wie Gott es will, Als Soldat nur meine Pflicht Bleibe treu, s geht vorbei - Lächelt uns das Kriegerglück, Dann kehr ich im Augenblick Zurück! ... Dann lieb ich wohlgemuth, Das liegt in unser m Blut; Beim Küssen, meiner Treu! - Da bin ich gleich dabei, Die Liebe schmeckt mir sehr, Das Küssen noch weit mehr, So ist es fescher Brauch beim Militär! ( Dann lieb ich wohlgemuth, Das liegt in unser m Blut etc. etc. ) Nr. 18 - Finale III SAFFI im Hintergrunde Reich ihm die Hand, Vertraue dem Zigeuner Wo er erscheint Da kommt er als Freund trian triandavar. BARINKAY Alles gelungen, Die Feinde bezwungen, Ein Weib errungen, Drum sei aus voller Brust gesungen Ja, das Alles auf Ehr Das kann ich und noch mehr. Wenn man s kann ungefähr, Ist s nicht schwer - ist s nicht schwer. ALLGEMEINER SCHLUSSCHOR Ja das Alles auf Ehr Das kann ... und noch mehr, Wenn man s kann ungefähr Ist s nicht schwer - ist s nicht schwer Vivat - Hoch - Hurrah! Dschingrah!!! GRUPPE UND VOLKSMENGE Vivat!!! - - - Strauss,Johann II/Der Zigeunerbaron
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【登録タグ C-CLAYS S huty 小峠 舞 感情の摩天楼 ~ Cosmic Mind 星月夜 -ホシツクヨ- 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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【登録タグ Demystify Feast こ めらみぽっぷ 二色蓮花蝶 〜 Red and White 凋叶棕 奉 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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【登録タグ EastNewSound Lyrical Crimson T いずみん 曲 月まで届け、不死の煙】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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Subjects-Science-Technology-General&Reference Today's Technician Automotive Engine Performance, 3e (Shop Manual And Classroom Manual) + Automotive Engine Performance Test A8, 2e (3 Book Package) Delmar Pub? Douglas M. Vidler? DelmarPub? DouglasM.Vidler? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-Technology-General&Reference Auto Body Repair Technology Package Delmar Pub? James E. Duffy? Robert Scharff? Paul Uhrina? DelmarPub? JamesE.Duffy? RobertScharff? PaulUhrina? ジャンル別? Subjects-Engineering-Automotive? Subjects-Nonfiction-Automotive-Repair? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Science-General Subjects-Science-Technology-General&Reference Electronic Devices Systems and Applications Delmar Pub? Robert Diffenderfer? DelmarPub? RobertDiffenderfer? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Apparatus,Devices&Design? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Science-General Subjects-Science-Technology-General&Reference Exploring Interface Design (Design Exploration Series) Delmar Pub? Marc Silver? DelmarPub? MarcSilver? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Business&Investing-Careers-Guides? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Careers-Guides? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference Refrigeration and Air Conditioning Technology Concepts, Procedures, and Troubleshooting Techniques Delmar Pub? William C. Whitman? William M. Johnson? John Tomczyk? DelmarPub? WilliamC.Whitman? WilliamM.Johnson? JohnTomczyk? ジャンル別? Subjects-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Engineering-Civil-Construction-Heating,Ventilation&AirConditioning? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Reference-StudyGuides? Subjects-Science-General Subjects-Science-Technology-General&Reference Today's Technician Automotive Brake Systems Delmar Pub? Clifton E. 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Subjects-Science-General Subjects-Science-Technology-General&Reference Exploring Digital Video (Design Exploration Series) Delmar Pub? Lisa Rysinger? DelmarPub? LisaRysinger? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-WebGraphics? Subjects-Computers&Internet-GraphicDesign-DigitalPhotography? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-Hardware-SystemArchitecture-DigitalDesign? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-Technology-General&Reference Exploring Photoshop CS (Design Exploration Series) Delmar Pub? Annesa Hartman? DelmarPub? AnnesaHartman? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-AdobePhotoshop? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-Applications-Adobe-PhotoDeluxe&Photoshop? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-Technology-General&Reference Exploring 3D Modeling with Maya 6 (Design Exploration) Delmar Pub? Patricia Beckmann? Scott Wells? DelmarPub? PatriciaBeckmann? ScottWells? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-Technology-General&Reference Exploring FLASH MX 2004 (Design Exploration) Delmar Pub? James L. Mohler? DelmarPub? JamesL.Mohler? ジャンル別? Subjects-Arts&Photography-GraphicDesign-GraphicArts-General? 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Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Arts&Photography-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-GraphicDesign-DesktopPublishing-General? Subjects-Computers&Internet-GraphicDesign-CAD-AutoCAD? Subjects-Computers&Internet-GraphicDesign-CAD-CAD&CAM? Subjects-Engineering-General? Subjects-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-Mechanical-Drafting&MechanicalDrawing? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-AutoCAD? Subjects-Professional&Technical-Architecture-Drawing&Modelling-CAD-CAD&CAM? Subjects-Science-General Subjects-Science-Technology-General&Reference Understanding the NEC (Understanding the National Electrical Code) Delmar Pub? Delmar Publishing? DelmarPub? DelmarPublishing? ジャンル別? Substores-UnknownASINs-64? 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Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-General&Reference 洋書